72 pages • 2 hours read
Louise ErdrichA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Names are important throughout the novel, especially concerning character development. In the first section, Evelina recognizes the power of names when she calls Mary Anita Sister Godzilla. This act of childish cruelty grows larger than Evelina can handle until Mary Anita finally snaps after Corwin brings the wind-up toy to class. Evelina distinctly remembers this event as the first time she tasted regret, learning just how much names can hurt other people if used maliciously. Similarly, Antone cannot bring himself to name his first love, calling her simply C. Because of the pain she has caused him, Antone refuses to name her. In the very last paragraph of the penultimate section, Antone finally names Cordelia, but only after he also labels her as racist..
Names allow characters to relate to one another, tying them together almost as if through possession. When Marn lives on her family’s compound with Billy and his cult, she is forbidden from using the names she originally gave her children. In an act of defiance, Marn uses their names in secret when they are alone together. “I still had names for my children, though children’s names were now forbidden. Mine were their old names, now secret names.
By Louise Erdrich
Fleur
Louise Erdrich
Future Home of the Living God
Louise Erdrich
LaRose
Louise Erdrich
Love Medicine
Louise Erdrich
Shadow Tag
Louise Erdrich
The Antelope Wife
Louise Erdrich
The Beet Queen
Louise Erdrich
The Bingo Palace
Louise Erdrich
The Birchbark House
Louise Erdrich
The Game of Silence
Louise Erdrich
The Leap
Louise Erdrich
The Master Butchers Singing Club
Louise Erdrich
The Night Watchman
Louise Erdrich
The Painted Drum
Louise Erdrich
The Red Convertible
Louise Erdrich
The Round House
Louise Erdrich
The Sentence
Louise Erdrich
The Shawl
Louise Erdrich
Tracks
Louise Erdrich